After looking at photos and people’s work that inspires me I decided that I would go and try to take photos in ways similar and to see if it was something I felt would work for what I am looking for. I went through the photos/art that I had been inspired by and let them inspire me and change my idea to be like theirs. I didn’t do one for each person as some of them are very similar so some of my test shots cover more than one artists work.
Here are my test shots:
1. Here is my first photo which I made with inspiration from Max Riché, Eadweard Muybridge and Harold Eugene Edgerton. I did this by setting my camera (Canon 5D) onto a tripod and setting up looking at an area which enabled me to have enough space to do a cartwheel. I put the camera onto TV mode and at 1000 which means that I could capture fast movements without them being blurred. I then also set the camera up so that it would take lots of photos in one go. I first took a photo with out me in it. I then got into position and got someone to count down and then hold the button firm down until I had finished doing the cartwheel. After that I opened all the photos onto photoshop and used the eraser tool to go around myself in each photo and then place them all onto the first photo which I’m not in. Once I’d placed all of the different movements onto the background photo I started moving them around so that the individual photos could be seen better. Even though this made it unrealistic I found that it didn’t look too different and it made it easier to see each movement. I think it worked really well but I do think that a longer movement would have worked better. Also someone who could do a fluid movement in an elegant way would look better than my awful cartwheel which is clunky and overlaps a bit too much. I feel that this way of placing photos together so you can see all the individual movements could look really affective with the idea of the boy falling into water.
2. For my second test I took inspiration from Elliot Schultz as he creates movement by making individual images and then playing them fast one after another. I decided to try and make a stop motion with Lego and try and make it detailed and capture lots of realistic movements. I also tried to not make it too long so that it didn’t go on for ages as this would have taken a lot more photos than I already took to create. I used a tripod and placed some cardboard on the floor to make a smooth and plain setting. I then got lighting and directed it towards the cardboard area so that it wasn’t too dark and so the details and small actions could be seen. I then started to move the lego in from the side and took photos one at a time and moving the Lego in little by little. I then continued the movement by getting the guy out and then the dog. This took around half an hour to set up and shoot the photos. I then placed the pictures together on iMovie and made the photos stay on for a split second each so that it was a smooth transition and so it ran smoothly. I think it went well and the outcome looks effective and just like it actually happened without me moving them by hand but I don’t think that stop motion would work for my idea. I think that other methods would work better to capture someone falling and to be able to play the individual movements smoothly.
3. Then for my last three test photos I got inspiration from Martin Waugh, Pedro Covo and Dorothea Lange’s work. I wanted to capture a movement that is really fast and make it clear and as if it isn’t moving just like Martin Waugh’s water photos where they are splashing but they look like they are still and made of something solid. I also wanted to capture something like Pedro Covo’s work where he paints people splashing into water. His paintings make it possible to capture that single movement as a still and something you can keep looking at. I then lastly wanted it to look to Dorothea Lange’s work as she makes her photos capture emotion and that was something I wanted my photos to capture too. I took my photos all the same way which I did by setting my camera onto TV mode and at 1000 which means that I could capture fast movements without them being blurred. I then got my mum to do lots of fast movements such as flicking her hair around and jumping on the bed. I then got her to take a photo of me flicking my hair around as my hair is longer and I wanted to see how it would look. For the photo of her jumping on the bed I got her to look like she was actually doing a handstand on the ceiling as I knew that it would look bazar when captured as a still photo. Then for her hair one I wanted to capture her smiling and being happy and with her hair going up in the air. I felt that this photo captures emotion perfectly and looks really interesting with her hair. Then for the photo of me I found that my hair looked really amazing and went everywhere which looks like I’ve been caught in a strong wind. I think this method of capturing movement is really affective and I want to try and capture someone jumping into water with this method.
Overall I found that the photos made me really sure that what I wanted to do was possible and that if I took my photos for the final piece that I would be able to capture all the intricate poses that happen when someone falls and hits water and how the body reacts to falling. I feel that I’ve found out lots about how I can stop movement whilst it’s happening and it not be blurred which is a massive step in the right direction for my idea. I don’t know what I would have done if all my photos were blurry. The only thing is that I’ll need to test this with things falling into water so I can see the impact that happens.